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Virginia Walcott
b.1994

Artworks

   Video
   2D / 3D

Design
Film
About / CV




































 

Virginia Walcott
b.1994

• Film + Video 
• Objects / Spaces
• Projects
• Writing 

About
CV

 

Virginia Walcott
b.1994

Artworks
Commercial
About / CV


 

Virginia Walcott
b.1994

Artworks
Commercial
About / CV


 

Virginia Walcott
b.1994

Artworks
Commercial
About / CV


 

Virginia Walcott
b.1994

Artworks
Commercial
About / CV


 

Virginia Walcott
b.1994

Artworks
Commercial
About / CV


 

Winner                              

 00:45 seconds (looped) / Animation, stock footage, open-source audio

2024

 3:00 minutes / Custom-printed foam core signs, Herman Miller cubicle                                                                                                                                                    

Work From Anywhere          

2024

 4:05 minutes / Broken clock, digital manipulation     

Upper Limit

2021

1:30 minutes / Stock footage, iPhone footage and writing from the artist, TikTok videos

Ad Break

2024

1:15 minutes / Stock and found footage, voice of the artist

Big Fish

2024

4-Channel Video Installation / Projections, found objects, furniture

Almost Home

2022

Projected onto a gallery wall, a headboard, and a bookshelf, 'Almost Home' explores the impact of architecture and design on our sense of self and belonging. Using a multi-channel video installation, the artist explores how family, memory, gender, and the built environment intertwine to create an ever-changing artifact of our physical and emotional surroundings. Honoring the many ways our inner world shapes the spaces we call home (and vice versa), it blends video, sound, and writing to construct a temporary threshold for stepping into this domestic convergence.

White Noise

20 minutes, looped / Medical-grade examination paper 

2022

Created alongside Eliza Wapner for 'Please Hold,' a two-person show at the Aquarium Gallery in New Orleans, 'White Noise' studies the materiality of medical grade examination paper to explore the emotional reality of the examination room. To experience the piece in full, the viewer must sit on a bench upholstered with the same paper and built at the awkwardly tall height of a standard exam table. This allows access to a pair of headphones as well as a direct view of the video, recreating the public yet private dissonance often found in a doctor's office.
 

Copyright 2025 Virginia Walcott / Superhumid

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